How are organizations creating participatory artistic programming through collaborative processes with their audiences?
Participating organizations will design and prototype innovation initiatives and tackle field-wide challenges in the Innovation Labs for the Performing Arts and Arts Development Agencies.
How did Denver Center Theatre Company apply Off-Center’s Curation model to its mainstage programming?
In this conversation, Richard Evans and Karina Mangu-Ward of EmcArts discuss some of the key issues stemming from the ongoing conversation about whether or not “we should allow failing arts organizations to die.”
Announcing the first cohort of New Pathways | Alaska, a new program developed by EmcArts, the Foraker Group, Rasmuson Foundation, and Alaska State Council on the Arts.
EmcArts now offers new programs geared for organizations interested in working on their own — rather than in a national or local cohort — to increase their adaptive capacity.
At this year’s AFTA convention, I interviewed arts leaders to get a sense of the challenges they are facing in their organizations and local communities.
How can a youth orchestra break down ethnic, religious, and language barriers to create opportunities for meaningful cultural exchange?
We’ve heard from you! How are arts leaders thinking about opportunities for authentic collaborations between people of different cultural identities and experiences?
How can historic house museums flip the script when connecting with local communities — by working backwards and rejecting traditional practices?
The City of Roanoke’s “Parks and Arts” program commissions visual art activities and performances that reinvigorate local city parks and connect residents with art experiences in their own neighborhoods.
I’ll be at the AFTA Convention in Nashville this week. Stay tuned for observations and reflections on the ArtsFwd blog and if you’re attending, let’s connect!
Are you based in New York City? Join us next week on Thursday, June 19th for a panel and screening at the Apple SoHo store.
The Jacobs Center for Neighborhood Innovation (JCNI) and the San Diego Commission for Arts and Culture developed a land use plan in the Diamond Neighborhoods that aims to unify a diverse community around art and empower residents by involving them directly in the plan’s visioning process.
The Wallkill River School, a nonprofit artists’ cooperative based in Montgomery, has been working on an initiative to develop programs that would mutually benefit farmers and artists.
Over the next several months, we’ll present inspiring stories from grantees in the NEA’s Our Town program.