Innovation that Lasts: Seven Years of Theater Without Walls
In 2010, San Diego’s La Jolla Playhouse already had a stellar reputation. They were (and still are) known for producing world premieres … Continue reading
In 2010, San Diego’s La Jolla Playhouse already had a stellar reputation. They were (and still are) known for producing world premieres … Continue reading
In 2010, San Diego’s La Jolla Playhouse already had a stellar reputation. They were (and still are) known for producing world premieres … Continue reading
These days, it’s a volatile, uncertain and complex world out there for the arts. To achieve our goals, it’s no … Continue reading
For over ten years, our programs have equipped participants with rigorous frameworks and practical tools for innovation. We’ve heard from … Continue reading
“How do we get this work to stick?” This is one of the questions that EmcArts facilitators get most often … Continue reading
International Contemporary Ensemble, also known as ICE, presented an incredible 50 world premieres at the Mostly Mozart festival in 2016 … Continue reading
The journey of Teatro Publico de Cleveland (TPC) is about generosity, learning, trust and the desire to connect in spite of challenges. … Continue reading
. . . The small group I was in spent time discussing the suggestion that we “come together to dismantle and kill ideas.” Like how some carnivores work in packs to bring down big animals, we would collaborate to tackle our biggest challenges . . .
In this Op-Ed, Jamie Gamble introduces the field of developmental evaluation, which combines creative and critical thinking in order to evaluate innovative programs and prototypes in uncertain and dynamic conditions.
Read about ALACI Cohort 1’s seminar with Edgar Schein on organizational culture, and why it’s an important aspect of facilitating adaptive leadership and change.
My first Working Open post is an interactive quiz that examines the different roles team members can take in an Innovation Lab. Click through to take the quiz and play!
Featuring Alternate ROOTS, Jane Addams Hull-House Museum, and The Theater Offensive, this rich and rigorous publication examines the contours, possibilities and limitations of adaptive change for three arts and social justice organizations in our Labs.
With the goal of redefining roles and division of labor in arts organizations, ICE created a new organizational structure in which ensemble members act as “Artist Partners” who lead and manage the organization. This new structure eliminates traditional silos between artistic and management functions, strengthens curatorial capacity, gives ensemble members more decision-making power, and supports creativity.
What happens when the usual tools of problem solving aren’t enough to address your organization’s issues? These two groups found that truly complex challenges require a different kind of approach.
We dug into the ArtsFwd archives to revisit four posts from the past two years that focus on organizational culture.
At Woolly Mammoth and Denver Center Theatre Company, leaders shifted the existing organizational culture to embrace change.