Ceding Control: Exploring Community-led Curatorial Models
Yerba Buena Center for the Arts distributed curatorial power among its fellow Bay Area arts organizations for the upcoming BAN7 exhibition.
Yerba Buena Center for the Arts distributed curatorial power among its fellow Bay Area arts organizations for the upcoming BAN7 exhibition.
What strategies might organizations and individuals embrace to genuinely shift their approach to addressing race, equity, and privilege?
This post is the first in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
This post is the second in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
This post is the third in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
At The New Movement in Austin and New Orleans, collaboration thrives, the audience-artist line is blurred, and community is built-in.
What if funders viewed experimentation as mandatory, and organizations were held accountable for being actively engaged in exploratory practices?
What strategies can nonprofit arts organizations implement in order to shift the ways we think about internships?
A community-based performance by ArtSpot Productions & Mondo Bizarro prioritized relationship-building to impact transformative social change.
How could a mash-up of Development and Education departments deepen engagement and erase “audience silos”?
The next generation of arts leaders will be responsible for challenging old models and accelerating the movement of adaptive change practices.
When you involve staff members from all departments in new experiments, it’s easier to shift your organizational culture.
It’s important to bring everyone on your team along on your journey when building new relationships and implementing a new engagement structure.
Inviting, including, and understanding all team members’ perspectives at the table can help you reach bold, unexpected outcomes.
Many arts districts are centers of economic development. But who benefits more from these cultural hubs — the arts community or local government?