WaterFire Providence – Challenge Semi-Finalist
We will develop a new revenue model that will engage a wider group of government and industry stakeholders and beneficiaries.
Articles
ZERO1 – Challenge Semi-Finalist
We will establish our physical, multipurpose space as an interface to engage the nonprofit and for-profit sectors in Silicon Valley.
4 Types of Organizational Culture
The Tipster brings you big ideas in small bites.
Activity: Six Hats for Parallel Thinking
Try this group thinking exercise to examine differing points of view on an issue through trying on "different thinking caps" together.
You’re Invited to Provocative Lunch…
How can brown bag lunches in your office help generate internal participation around big, public initiatives?
Who Is Responsible for Building Your Organization’s Adaptive Capacity?
Stability within an organization provides a good safety net. But to create something bold and new, your team must commit to adaptability.
Activity: Triangles
Try this systems thinking activity to map out the web of cause and effect that contributes to organizational behavior.
Munch Club #4: What is Systems Thinking?
At our monthly Munch Club, the EmcArts staff gathers together at lunchtime to test out the tools used in our programs.
Getting Away to Get Things Done
It's tough to get everyone on the same page of a big initiative. A retreat can galvanize your team around a goal and prep your group to tell the same story.
Is Big Data the Next Frontier for Innovation in the Arts?
Crunching data sets is the norm in the tech industry. How can arts orgs use data analysis to make their employees happier and more effective?
Object Stories
This visitor-generated project pushes the boundaries of the traditional role of the visitor and what is worthy of being exhibited in a gallery space.
Activity: Visualizing Challenges
Try this activity to use visual cues in order to see your organization's challenges in a new way.
How Might A Background in New Media Theory Benefit Today’s Arts Marketers?
Emerging technologies have become essential components of arts marketing strategies. Is it important for arts leaders to have a theoretical background in media criticism to fully understand the implications of these technologies?