In March, we’ll be focusing on the topic of leadership to explore what “adaptive leadership” looks like in practice.
We’re excited to share learning from New Pathways for Arts Development, a new program that engages 15 of New York’s arts development agencies.
Fourth Arts Block is exploring complex challenges around three themes – scope, capacity, and constituency.
NYFA has identified two complex organizational challenges relating to the growth of its technology and professional development programs.
Clara Miller of the Heron Foundation reminds us in her “President’s Letter” that in order to stay relevant, we must all be continually adaptive.
In my recent article in the GIA Reader, I challenge some false ideas about innovation, and dispel rumors about its demise.
Yerba Buena Center for the Arts distributed curatorial power among its fellow Bay Area arts organizations for the upcoming BAN7 exhibition.
In this podcast, John Shibley, Raymond Bobgan, and Blanca Salva discuss how artistic initiatives can attract, and retain, the participation of local cultural communities.
In this podcast, Karina Mangu-Ward, Michael Boberg, and Ellen Muse-Lindeman explore the sociological and civic impact of “cultural clusters” in cities, towns and neighborhoods.
What does adaptive capacity really mean? What does it look like in practice? Summit attendees share their learning in a downloadable document.
What strategies might organizations and individuals embrace to genuinely shift their approach to addressing race, equity, and privilege?
This post is the first in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
This post is the second in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
This post is the third in a three-part Blogging Fellows series on equity, diversity, and inclusion. Read the full series.
A programming series that offers diverse participatory art-making experiences transforms an arts center.
A dedicated group of ambassadors engage their personal networks to bring in new audiences and promote learning about dance.