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Audience Engagement

In our third podcast, Richard Evans speaks about ways in which audience development strategies relate to artistic work with David Shimotakahara, Artistic Director of GroundWorks DanceTheater, and Charles Fee, Producing Artistic Director of Great Lakes Theater. Both are leaders of Cleveland organizations participating in Engaging the Future, a program developed with the Cleveland Foundation.

David Shimotakahara has been a member of the Atlanta Ballet, Boston Repertory Ballet, Kathryn Posin Dance Company, and the Pittsburgh Ballet Theater. He performed with Ohio Ballet under the direction of Heinz Poll from 1983-1999. He also served as Rehearsal Assistant for Ohio Ballet from 1989-1999. From 1989-1997, Mr. Shimotakahara founded and was Director of New Steps. This acclaimed dance project offered a variety of programs that stimulated the creation and growth of new choreography in Northeast Ohio. Mr. Shimotakahara has choreographed for opera and theater with the Cleveland Opera, Great Lakes Theater Festival and the Dallas Theater Center. He served on the Carlisle Project advisory panel in 1996, and dance panels for the Ohio Arts Council, Illinois Arts Council, the Mid Atlantic Arts Alliance and the National Endowment for the Arts. He has received 6 consecutive Individual Artist Fellowships for Choreography from the Ohio Arts Council from 1996 to 2007. In 1998, he received a McKnight Foundation Fellowship from the Minnesota Dance Alliance to create new work in the Minneapolis, St. Paul communities. Mr. Shimotakahara was awarded the 2000 Cleveland Arts Prize for Dance. In 2002 his work with GroundWorks Dancetheater was recently voted “One of 25 to Watch” by Dance Magazine. In 2007, he received the OhioDance award for Outstanding Contributions to the Advancement of the Dance Artform. Mr. Shimotakahara was a 2008 recipient of the first COSE Arts and Business Innovation awards as the founder of GroundWorks DanceTheater.

Charles Fee holds a unique position in the American theater as producing artistic director of three independently operated, professional theater companies: Great Lakes Theater in Cleveland, Ohio (since 2002), Idaho Shakespeare Festival in Boise, Idaho (since 1991) and Lake Tahoe Shakespeare Festival in Lake Tahoe, Nevada (since 2010). His appointments have resulted in a dynamic and groundbreaking producing model for the companies, in which 37 productions have been shared since 2002. In addition to his work with the companies in Ohio, Idaho and Nevada, Charles is active within the community. He has served as a member of the strategic planning committee for the Morrison Center, as producer of the FUNDSY Award Gala (’96, ’98 and 2000), and as producer of the 1996 Idaho Governor’s Awards in the Arts. Charles has served on the board of the Boise Metro Chamber of Commerce and as a member of the Downtown Rotary Club. He received his B.A. from the University of the Pacific and master of fine arts from the University of California, San Diego.

Duration: 24:15

Brooklyn Academy of Music (BAM): Audio Postcard

In this audio postcard, Brooklyn Academy of Music (BAM) describes their project- to explore and develop creative approaches to serving local artists, community-based organizations, and audiences.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
President, BAM: Karen Brooks Hopkins
Executive Producer, BAM: Joseph Melillo

Credits:
Audio Producer: Jonathan Mitchell
Recording on Location in Brooklyn, NY
Photos Courtesy of Brooklyn Academy of Music
Music by Explosion Robinson

CEC ArtsLink: Audio Postcard

In this audio postcard, CEC ArtsLink talks about the launch One Big City, a series of public events created collaboratively by New York City and international visiting artists engaging with and responding to New York City’s diaspora communities, presented at local cultural venues.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Executive Director, CEC ArtsLink: Fritzie Brown
Program Director, ArtsLink Awards: Tamalyn Miller

Credits:
Audio Producer: Lu Olkowski
Recording on Location in New York, NY

Photos Courtesy of CEC ArtsLink, Eve Sussman, Elena Skochilo, Luise Kaunert, The Hinterlands, Mark Jenkins, C.L.U.E. and Taxter & Spengeman, Alexander Ugay, Arthur Donowski, Andrea Steudel, Mykola Ridnyi, Yara Arts Group

Music by Explosion Robinson

Environmental Sustainability Made Tangible

The Mannahatta Project

In this podcast, Richard Evans talks with Eric Sanderson, a Senior Conservation Ecologist at the Wildlife Conservation Society, and artist Mary Miss, about their boundary breaking projects that make environmental issues personal, visceral, and tangible for New York City residents.  Their projects are grantees of the Rockefeller Foundation’s 2011 Cultural Innovation Fund award and part of a cohort of 16 organizations being documented by EmcArts/ArtsFwd over the next two years.

In this 23-minute podcast, Sanderson talks about his project Mannahatta 2409, a new interactive website that allows every citizen to create their own vision of a sustainable New York City at a block by block level and share it with others.  The goal of the project is to engage the public’s imagination in one of the greatest challenges of our generation: designing the sustainable city.

Mary Miss talks about 1000 Steps of Broadway, her project that brings artists and scientists together to create a series of physical interventions at key points along the 225 block corridor of Broadway. The goal of the project is to redefine the role of artists in creating a more environmentally sustainable New York City, a task typically left to government agencies.

Guests:

Eric W. Sanderson is a Senior Conservation Ecologist at the Wildlife Conservation Society. Sanderson is the author of “Mannahatta: A Natural History of New York City,” and curated an exhibition based on the Mannahatta Project on display at the Museum of the City of New York. Sanderson also guided creation of this website that allows users to explore Mannahatta in comparison to Manhattan today (see Explore page).

Mary Miss has reshaped the boundaries between sculpture, architecture, landscape design, and installation art by articulating a vision of the public sphere where it is possible for an artist to address the issues of our time.  She has developed the “City as Living Lab“, a framework for making issues of sustainability tangible through collaboration and the arts, with Marda Kirn of EcoArts Connections.

Wildlife Conservation Society: Audio Postcard

Wildlife Conservation Society

Wildlife Conservation Society

In this audio postcard, Wildlife Conservation Society describes the goals of building an online forum that allows the public to develop and share their own preferred ecological climate-resilient designs for Manhattan.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Senior Conservation Ecologist, Wildlife Conservation Society: Eric Sanderson
GIS Programmer: Kim Fisher

Credits:
Audio Producer: Lu Olkowski
Recording on Location in Bronx, NY
Photos Courtesy of Wildlife Conservation Society
Music by Explosion Robinson

Mary Miss Studio: Audio Postcard

In this audio postcard, Mary Miss talks about her studio’s public art installation along the length of Broadway that makes the city’s sustainability initiatives tangible to citizens at street level through collaborations between the artist, scientists and the community.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Artist: Mary Miss

Credits:
Audio Producer: Sarah Lilley
Recording on Location in New York, NY
Photos Courtesy of Mary Miss Studio
Music by Explosion Robinson

National Association of Latino Independent Producers: Audio Postcard

In this audio postcard, executive director of National Assocation of Latino Independent Producers (NALIP) outlines their new project providing professional mentoring to New York Latino/a and Native writers, producers and directors of narrative and documentary projects to create and advance new films.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Executive Director, NALIP: Kathryn Galan

Credits:
Audio Producer: Sarah Lilley
Recording on Location in New York, NY
Photos Courtesy of National Association of Latino Independent Producers
Music by Explosion Robinson

OurGoods: Audio Postcard

In this audio postcard, the co-founders of OurGoods talk about expanding OurGoods.org, an online barter network for creative people.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Co-Founder, OurGoods: Jen Abrams
Co-Founder, OurGoods: Caroline Woolard

Credits:
Audio Producer: Kerrie Hillman
Recording on Location in Brooklyn, NY
Photos Courtesy of Our Goods
Music by Explosion Robinson

Chimpanzee Productions: Audio Postcard

In this audio postcard, leaders of Chimpanzee Productions describe their interactive project, Digital Diaspora Family Reunion: One City, One Family, bringing to life New York City’s hidden visual history using personal family photographic archives and stories.

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Director, Chimpanzee Productions: Thomas Allen Harris
Multimedia Producer, Digital Diaspora Project: Ann Bennett
Producer, Chimpanzee Productions: Don Perry

Credits:
Audio Producer: Sarah Lilley
Recording on Location in East Harlem, NY
Photos Courtesy of Chimpanzee Productions
Music by Explosion Robinson

El Puente: Audio Postcard

In this audio postcard, leaders from El Puente discuss their Green Light District Initiative, which investigate the overlap between the creative, health and sustainability practices of their quickly gentrifying Southside Williamsburg community (locally known as Los Sures).

This audio postcard is part of a series of 16 about the 2011 NYC Rockefeller Foundation Cultural Innovation Fund grantees as they embark on their innovative projects.

Watch it online with images

Brought to you by ArtsFwd.org
Funded by Rockefeller Foundation

Voices:
Executive Director, El Puente: Frances Lucerna
Assistant Director, El Puente Green Light Initiative: Anusha Venkataraman

Credits:
Audio Producer: Kerrie Hillman
Recording on Location in Brooklyn, NY
Photos Courtesy of El Puente, Juan Beltran
Music by Explosion Robinson

Innovation That Pays

In our second podcast, Richard Evans talks with Ryan Fleur, CEO of the Memphis Symphony Orchestra and Kelly Pollock, Executive Director of the Center of Creative Arts about innovative projects that turn risk capital into new revenue. The new directions outlined by each organization engage working with artists in new ways and unlock the door between artists and the rest of the community.

Ryan Fleur is president and CEO of the Memphis Symphony Orchestra. As chief executive for the largest performing arts organization in the Mid-South since 2003, Fleur is responsible for all aspects of the $4.5M operation. During his first five years, he has transformed the organization into one committed to “creating meaningful experiences through music”, in which all of its artistic and educational initiatives are implemented through a lens of community engagement. He developed the Orchestra’s current strategic plan through a comprehensive, inclusive planning process, balanced the Orchestra’s books for the first time in 10 seasons, and has taken significant steps to transform the Orchestra into a sustainable musical institution.

Kelly Pollock is Executive Director of the Center of Creative Arts in St. Louis. Pollock served as COCA’s general manager since 2006, overseeing all business operations and programming.  She joined COCA in 1997 and served as its director of development for eight formative years as the organizational budget grew from $1.7 million to its current size of $5 million.  She successfully managed COCA’s $10 million Access to Excellence capital and endowment campaign.  She was also responsible for securing millions of dollars in grants over the years from National Endowment for the Arts, Wallace Foundation, Kresge Foundation, MetLife Foundation, among others.  As COCA’s general manager, Pollock secured one of four national Innovation Lab grant awards from the Doris Duke Foundation and EmcArts to develop COCAbiz, a program designed to integrate arts practice and concepts into talent and leadership development in business.

 

Duration: 27:40 minutes

Trickle Up Innovation

Guests: Kenneth Foster, Sheila Pressley

In this very first ArtsFwd podcast, Richard Evans talks with Ken Foster, Executive Director of Yerba Buena Center for the Arts, and Sheila Pressley, Director of Education at the DeYoung Museum, about how innovation started small and grew to the heart of their very different organizations.

In this 30-minute podcast, Richard, Sheila, and Ken talk about their projects’ humble – and sometimes contentious – beginnings and how the right mix of leadership, staff enrollment, experimentation, and risk-taking have enable innovative strategies to take root.

Since 2009, Ken Foster has been spearheading the Immersive Visitor Project, which radically reshaped the visitor experience from a transactional experience of “Come, look, leave.” to an immersive one.   In just over three years, the culture of innovation has gone from wary of innovation to naming “Risk and Innovation” one of their core values.  Read more about the Immersive Visitor Experience.

As the Director of Education, Sheila Pressley has been a key member of the team that has grown the deYoung’s Cultural Encounters program from a disconnected series of Friday night events to a year-round organization-wide enterprise.  She brings a unique perspective, having acted often as the bridge between the programming department, which plans and executes highly innovative programming, and the executive leadership of the deYoung.

Duration: 30 minutes