How did we partner with Boyle Heights community residents and organizations? In fall of 2013, Center Theatre Group embarked on a … Continue reading
By opening the doors of their costume and prop shop to the local community, Center Theatre Group developed new partnerships and explored new ways to connect the craft of theatre with daily lives.
In this interview, Jesse Ehrensaft-Hawley and I talk about how GAP reframed their revenue strategy and invested in change capital to help them stay sustainable in the long-term.
Working together, Casita Maria and Dancing in the Streets are investigating the artistic legacy of the South Bronx.
Groundswell engaged local youth, artists, and community members in a series of community mural-making projects to identify local traffic and safety issues.
Mannahatta 2409 invites the public to develop and share their own ecological designs for the future of Manhattan.
In this podcast, Karina Mangu-Ward, Michael Boberg, and Ellen Muse-Lindeman explore the sociological and civic impact of “cultural clusters” in cities, towns and neighborhoods.
The organization will develop a strategy to integrate anti-bias and empathy training into their existing music education.
Two unlikely art heads are members of YBCA’s game-changing, all access art program YBCA:You. Hear how Lawrence Li, an accountant, came to identify as a street performer and how Henri Ducharme began using art to help his students make sense of numbers.
Lanesboro Arts Center is reimagining the future of rural America and the role that the arts can play in its sustainability by transforming an entire small town into an arts campus.
ArtsFwd asks the Innovation Lab grantees: What is one major “a-ha!” moment your team experienced during the retreat?
We will design and implement pathways to leadership for and by young people.
We will create an open-access, interactive project to develop a pluralistic aesthetic for black people and philosophy of personal beauty.
We will create new, sustainable ways of earning revenue through social enterprise.
University academic departments tend to work in silos. How can the arts bridge new collaborations across disciplines and inspire educational change?
Young people entering the non-profit arts crave the same excitement and sense of creation, and often assume they’ve chosen a field conducive to that.